- Chronology
 - Before 1500 BCE
 - 1500 BCE to 500 BCE
 - 500 BCE to 500 CE
 - Sixth to Tenth Century
 - Eleventh to Fourteenth Century
 - Fifteenth Century
 - Sixteenth Century
 - Seventeenth Century
 - Eighteenth Century
 - Nineteenth Century
 - Twentieth Century
 - Twenty-first Century
 - Geographic Area
 - Africa
 - Caribbean
 - Central America
 - Central and North Asia
 - East Asia
 - North America
 - Northern Europe
 - Oceania/Australia
 - South America
 - South Asia/South East Asia
 - Southern Europe and Mediterranean
 - West Asia
 - Subject, Genre, Media, Artistic Practice
 - Aesthetics
 - African American/African Diaspora
 - Ancient Egyptian/Near Eastern Art
 - Ancient Greek/Roman Art
 - Architectural History/Urbanism/Historic Preservation
 - Art Education/Pedagogy/Art Therapy
 - Art of the Ancient Americas
 - Artistic Practice/Creativity
 - Asian American/Asian Diaspora
 - Ceramics/Metals/Fiber Arts/Glass
 - Colonial and Modern Latin America
 - Comparative
 - Conceptual Art
 - Decorative Arts
 - Design History
 - Digital Media/New Media/Web-Based Media
 - Digital Scholarship/History
 - Drawings/Prints/Work on Paper/Artistc Practice
 - Fiber Arts and Textiles
 - Film/Video/Animation
 - Folk Art/Vernacular Art
 - Genders/Sexualities/Feminisms
 - Graphic/Industrial/Object Design
 - Indigenous Peoples
 - Installation/Environmental Art
 - Islamic Art
 - Latinx
 - Material Culture
 - Multimedia/Intermedia
 - Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
 - Native American/First Nations
 - Painting
 - Patronage, Art Collecting
 - Performance Art/Performance Studies/Public Practice
 - Photography
 - Politics/Economics
 - Queer/Gay Art
 - Race/Ethnicity
 - Religion/Cosmology/Spirituality
 - Sculpture
 - Sound Art
 - Survey
 - Theory/Historiography/Methodology
 - Visual Studies
 
  South/Southeast Asian Art
  
  
    Dissertations Completed by Subject, 2011
  
Show in progress dissertations
Chandra, Aditi, “On the Becoming and Unbecoming of Monuments: Archaeology, Tourism, and Delhi’s Islamic Architecture (1828–1963)” (Minnesota, C. Asher)
Gupta, Atreyee, “The Promise of the Modern: State, Culture, and Avant-Gardism in India (ca. 1930–1960)” (Minnesota, F. Asher)
Kamada, Yumiko, “Flowers on Floats: The Production, Circulation, and Reception of Early Modern Indian Carpets” (IFA/NYU, P. Soucek)
Maddipati, Venugopal, “Selfsame Spaces: Gandhi, Architecture, and Allusions in Twentieth-Century India” (Minnesota, C. Asher)
Overton, Keelan, “A Collector and His Portrait: Book Arts and Painting for Ibrahim ‘Adil Shah II of Bijapur” (UCLA, I. Bierman-McKinney)
Ray, Sugata, “In the Name of Krishna: Temple Architecture, Pilgrimage Practices, and the Making of a Cultural Landscape in Vrindavan” (Minnesota, F. Asher)
Rice, Yael, “The Emperor’s Eye and the Painter’s Brush: The Rise of the Mughal Court Artist, ca. 1546–1627” (Pennsylvania, R. Holod)
Weinstein, Laura, “Between Iran and India: Golconda Painting of the Late 16th Century” (Columbia, V. Dehejia)


