- Chronology
 - Before 1500 BCE
 - 1500 BCE to 500 BCE
 - 500 BCE to 500 CE
 - Sixth to Tenth Century
 - Eleventh to Fourteenth Century
 - Fifteenth Century
 - Sixteenth Century
 - Seventeenth Century
 - Eighteenth Century
 - Nineteenth Century
 - Twentieth Century
 - Twenty-first Century
 - Geographic Area
 - Africa
 - Caribbean
 - Central America
 - Central and North Asia
 - East Asia
 - North America
 - Northern Europe
 - Oceania/Australia
 - South America
 - South Asia/South East Asia
 - Southern Europe and Mediterranean
 - West Asia
 - Subject, Genre, Media, Artistic Practice
 - Aesthetics
 - African American/African Diaspora
 - Ancient Egyptian/Near Eastern Art
 - Ancient Greek/Roman Art
 - Architectural History/Urbanism/Historic Preservation
 - Art Education/Pedagogy/Art Therapy
 - Art of the Ancient Americas
 - Artistic Practice/Creativity
 - Asian American/Asian Diaspora
 - Ceramics/Metals/Fiber Arts/Glass
 - Colonial and Modern Latin America
 - Comparative
 - Conceptual Art
 - Decorative Arts
 - Design History
 - Digital Media/New Media/Web-Based Media
 - Digital Scholarship/History
 - Drawings/Prints/Work on Paper/Artistc Practice
 - Fiber Arts and Textiles
 - Film/Video/Animation
 - Folk Art/Vernacular Art
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 - Graphic/Industrial/Object Design
 - Indigenous Peoples
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 - Islamic Art
 - Latinx
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 - Native American/First Nations
 - Painting
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 - Sculpture
 - Sound Art
 - Survey
 - Theory/Historiography/Methodology
 - Visual Studies
 
  North America
  
  
    Dissertations Completed by Subject, 2016
  
Show in progress dissertations
Bianco, Christine, “Modern Art for Middle America: American Abstraction in Mass Magazines, 1946–1960” (Oxford Brookes, E. Darling)
Franco, Joshua, “Marfa, Marfa: Minimalism, rasquachismo, and Questioning ‘Decolonial Aesthetic’ in Far West Texas” (Binghamton University, T. McDonough)
Hannah, Caroline, “Henry Varnum Poor: Crow House, Craft, and Design” (The Bard Graduate Center, P. Kirkham)
Kirschner-Perlstein, Melanie, “Arthur G. Dove: Illustrations and Abstractions: 1903–1933” (Virginia, E. Turner)
Klee, Jeffrey, “Building Order on Beacon Hill, 1790–1850” (Delaware, B. Herman)
Lentz (Reed), Alycia F., “Ready to Blow Your Mind: Andy Warhol’s Exploding Plastic Inevitable” (Iowa, C. Adcock)
McKelligan Hernández, Alberto, “Mónica Mayer: Translocality and the Development of Feminist Art in Contemporary Mexico” (CUNY, A. Indych-López)
Moon, Kavior, “From Site to Comparative Relations: Works by Michael Asher, 1976–1998” (UCLA, M. Kwon)
Palmor, Lauren, “Shadows and Light: Seeing Senescence in American and British Genre Painting, c. 1850–1910” (Washington, S. Casteras)
Parsons, Jennifer Stettler, “John Sloan: Between Philadelphia and New York, 1892–1907” (Virginia, E. Turner)
Reed, Emily, “Alexander Calder, Collaborative Abstraction, and Public Art” (Virginia, E. Turner)
Roland, S. Zelda, “Human Resources: The Body of the Extra in Classical Hollywood, 1925–1940” (Yale, T. Barringer; J.D. Connor)
Ronan, Kristine, “Buffalo Dancer: The Biography of an Image” (Michigan, D. Doris)
Schade, Jill Baskin, “Picturing Freedom’s Shores: The Visual Culture of Liberian Colonization, 1821–1861” (Virginia, L. Nelson)
Schiller, Emily, “Unsettled Masses: Public Transportation in the Art of New York City, 1929–1941” (Penn State, N. Locke)
Smith, Laura Lake, “Imaging the In-between: The Serial Art of Richard Tuttle” (Georgia, I. Wallace)
Truitt, Andrea, “Experiencing the Otherworldly: Magazine Reading and Illustrations of Orientalist Domestic Space in the United States, 1880–1920 (Minnesota, J. Marshall)


