- Chronology
 - Before 1500 BCE
 - 1500 BCE to 500 BCE
 - 500 BCE to 500 CE
 - Sixth to Tenth Century
 - Eleventh to Fourteenth Century
 - Fifteenth Century
 - Sixteenth Century
 - Seventeenth Century
 - Eighteenth Century
 - Nineteenth Century
 - Twentieth Century
 - Twenty-first Century
 - Geographic Area
 - Africa
 - Caribbean
 - Central America
 - Central and North Asia
 - East Asia
 - North America
 - Northern Europe
 - Oceania/Australia
 - South America
 - South Asia/South East Asia
 - Southern Europe and Mediterranean
 - West Asia
 - Subject, Genre, Media, Artistic Practice
 - Aesthetics
 - African American/African Diaspora
 - Ancient Egyptian/Near Eastern Art
 - Ancient Greek/Roman Art
 - Architectural History/Urbanism/Historic Preservation
 - Art Education/Pedagogy/Art Therapy
 - Art of the Ancient Americas
 - Artistic Practice/Creativity
 - Asian American/Asian Diaspora
 - Ceramics/Metals/Fiber Arts/Glass
 - Colonial and Modern Latin America
 - Comparative
 - Conceptual Art
 - Decorative Arts
 - Design History
 - Digital Media/New Media/Web-Based Media
 - Digital Scholarship/History
 - Drawings/Prints/Work on Paper/Artistc Practice
 - Fiber Arts and Textiles
 - Film/Video/Animation
 - Folk Art/Vernacular Art
 - Genders/Sexualities/Feminisms
 - Graphic/Industrial/Object Design
 - Indigenous Peoples
 - Installation/Environmental Art
 - Islamic Art
 - Latinx
 - Material Culture
 - Multimedia/Intermedia
 - Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
 - Native American/First Nations
 - Painting
 - Patronage, Art Collecting
 - Performance Art/Performance Studies/Public Practice
 - Photography
 - Politics/Economics
 - Queer/Gay Art
 - Race/Ethnicity
 - Religion/Cosmology/Spirituality
 - Sculpture
 - Sound Art
 - Survey
 - Theory/Historiography/Methodology
 - Visual Studies
 
  Conceptual Art
  
  
    Dissertations in Progress by Subject, 2016
  
Campbell, Thomas, “Real to Reel: The Cassette Publication as Networked Space” (Columbia, B. Joseph)
Canac, Sandrine, “From Measured Volume to Indefinite Expansion: The Early Work of Robert Barry (1963–1975)” (Stony Brook University, A. Uroskie)
de Laforcade, Sonia, “Áudio-Visual: The Slide as Medium in Brazilian Art of the 1970s”
(Princeton, Irene Small)
DiBenedetto, Erica, “Drawing from Architecture: The Conceptual Methods of Sol LeWitt’s Art, 1965–1980” (Princeton, B. Doherty; H. Foster)
Hebble, John, “Conceptual Art Photography: An Investigation of Medium and Discourse in Selected Works by Mel Bochner, Dan Graham, Adrian Piper, and Bruce Nauman” (Virginia Commonwealth, B. Lawal)
Iglesias Lukin, Aimé, “This Must Be the Place: Latin American Artists in New York, 1965–1975” (Rutgers, T. Flores)
Jackson, Katherine, “Total Economy: The Artist Placement Group in 1970s UK” (University of British Columbia, J. Mansoor)
Olivas, Yvonne, “System Withdrawal: Lee Lozano’s General Strike” (Stony Brook University, Z. Patterson)
Scott, Hallie, “Communicationists and Un-Artists: Pedagogical Experiments in California, 1966–1974” (CUNY, C. Bishop)
Varet, Esther Kim, “Art INC: A Reassessment of the Art and Technology Program at the Los Angeles County Museum of Art” (Columbia, A. Alberro)
Zaikina, Olga, “Spatializing Consciousness: Participatory Art, Objects, and Poetry of Andrey Monastyrsky in the 1970s–80s” (Penn State, S. Rich)


