- Chronology
 - Before 1500 BCE
 - 1500 BCE to 500 BCE
 - 500 BCE to 500 CE
 - Sixth to Tenth Century
 - Eleventh to Fourteenth Century
 - Fifteenth Century
 - Sixteenth Century
 - Seventeenth Century
 - Eighteenth Century
 - Nineteenth Century
 - Twentieth Century
 - Twenty-first Century
 - Geographic Area
 - Africa
 - Caribbean
 - Central America
 - Central and North Asia
 - East Asia
 - North America
 - Northern Europe
 - Oceania/Australia
 - South America
 - South Asia/South East Asia
 - Southern Europe and Mediterranean
 - West Asia
 - Subject, Genre, Media, Artistic Practice
 - Aesthetics
 - African American/African Diaspora
 - Ancient Egyptian/Near Eastern Art
 - Ancient Greek/Roman Art
 - Architectural History/Urbanism/Historic Preservation
 - Art Education/Pedagogy/Art Therapy
 - Art of the Ancient Americas
 - Artistic Practice/Creativity
 - Asian American/Asian Diaspora
 - Ceramics/Metals/Fiber Arts/Glass
 - Colonial and Modern Latin America
 - Comparative
 - Conceptual Art
 - Decorative Arts
 - Design History
 - Digital Media/New Media/Web-Based Media
 - Digital Scholarship/History
 - Drawings/Prints/Work on Paper/Artistc Practice
 - Fiber Arts and Textiles
 - Film/Video/Animation
 - Folk Art/Vernacular Art
 - Genders/Sexualities/Feminisms
 - Graphic/Industrial/Object Design
 - Indigenous Peoples
 - Installation/Environmental Art
 - Islamic Art
 - Latinx
 - Material Culture
 - Multimedia/Intermedia
 - Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
 - Native American/First Nations
 - Painting
 - Patronage, Art Collecting
 - Performance Art/Performance Studies/Public Practice
 - Photography
 - Politics/Economics
 - Queer/Gay Art
 - Race/Ethnicity
 - Religion/Cosmology/Spirituality
 - Sculpture
 - Sound Art
 - Survey
 - Theory/Historiography/Methodology
 - Visual Studies
 
  Drawings/Prints/Work on Paper/Artistc Practice
  
  
    Dissertations Completed by Subject, 2016
  
Show in progress dissertations
Bacon, Elizabeth, “Drawing Machines: The Manual and the Mechanical in Art of the Early Republic” (Harvard, J. Roberts)
Bair, Nadya, “The Decisive Network: Magnum Photos and the Art of Collaboration in Postwar Photojournalism” (USC, V. Schwartz; R. Meyer)
Banas, Paulina, “The Orientalist Book Industry (1840–80): Prisse d’Avennes, Systems of Borrowing and Reuse, and the Marketing of Egypt” (Binghamton University, N. Um)
Blom, Laura, “Mobilizing the Macabre: Rosso, Rovezzano, and Rustici and the Language of Transgression, 1500–1530” (Johns Hopkins, S. Campbell)
Bravo, Monica, “Picturing Greater America: US Modernist Photographers and the Mexican Cultural Renaissance, 1920–45” (Brown, D. Nickel)
Buck, Sarah, “Les Costumes Grotesques by the Larmessin Family: Prints and Professional Habits during the Reign of Louis XIV” (Florida State, R. Neuman)
Henneman, Jennifer, “Her Representation Precedes Her: Transatlantic Celebrity, Portraiture, and Visual Culture, 1865–1890” (Washington, S. Casteras)
Trittipo, Kathryn, “A Visual Affair: Popular Culture and L’Affaire Dreyfus” (Minnesota, G. Weisberg)


