- Chronology
 - Before 1500 BCE
 - 1500 BCE to 500 BCE
 - 500 BCE to 500 CE
 - Sixth to Tenth Century
 - Eleventh to Fourteenth Century
 - Fifteenth Century
 - Sixteenth Century
 - Seventeenth Century
 - Eighteenth Century
 - Nineteenth Century
 - Twentieth Century
 - Twenty-first Century
 - Geographic Area
 - Africa
 - Caribbean
 - Central America
 - Central and North Asia
 - East Asia
 - North America
 - Northern Europe
 - Oceania/Australia
 - South America
 - South Asia/South East Asia
 - Southern Europe and Mediterranean
 - West Asia
 - Subject, Genre, Media, Artistic Practice
 - Aesthetics
 - African American/African Diaspora
 - Ancient Egyptian/Near Eastern Art
 - Ancient Greek/Roman Art
 - Architectural History/Urbanism/Historic Preservation
 - Art Education/Pedagogy/Art Therapy
 - Art of the Ancient Americas
 - Artistic Practice/Creativity
 - Asian American/Asian Diaspora
 - Ceramics/Metals/Fiber Arts/Glass
 - Colonial and Modern Latin America
 - Comparative
 - Conceptual Art
 - Decorative Arts
 - Design History
 - Digital Media/New Media/Web-Based Media
 - Digital Scholarship/History
 - Drawings/Prints/Work on Paper/Artistc Practice
 - Fiber Arts and Textiles
 - Film/Video/Animation
 - Folk Art/Vernacular Art
 - Genders/Sexualities/Feminisms
 - Graphic/Industrial/Object Design
 - Indigenous Peoples
 - Installation/Environmental Art
 - Islamic Art
 - Latinx
 - Material Culture
 - Multimedia/Intermedia
 - Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
 - Native American/First Nations
 - Painting
 - Patronage, Art Collecting
 - Performance Art/Performance Studies/Public Practice
 - Photography
 - Politics/Economics
 - Queer/Gay Art
 - Race/Ethnicity
 - Religion/Cosmology/Spirituality
 - Sculpture
 - Sound Art
 - Survey
 - Theory/Historiography/Methodology
 - Visual Studies
 
  Race/Ethnicity
  
  
    Dissertations in Progress by Subject, 2017
  
Berman, Jody, “Laughing ‘Til It Hurts: Race, Humor and Subversion in African American Art” (University of Florida, R. Poynor and P. Ortiz)
Cerejido, Elizabeth, “Deconstructing Binaries: Cuban-American Art Beyond Nation and Exile” (M. Stanfield-Mazzi, K. Cabañas)
Chakravorty, Swagato, “Displaced Cinema: Moving Images and the Politics of Location in Contemporary Art” (Yale University, C. Buckley, F. Casetti)
Hooper, Rachel, “American Art Histories: Framing Race in Exhibitions, 1842-1876” (Rice University, L. Costello)
Johnson, Lauren A., “'True Americanism': Images of Race and Citizenship in Ansel Adams's Photobooks, 1940–1960” (UIUC, T. Weissman)
Kaplan, Lauren, “Crossing the Atlantic: Italians in Argentina, 1880-1930” (Graduate Center, CUNY, E. Braun)
Lapin Dardashti, Abigail, “Politics, Religion, and Modernity in Transregional Afro-Brazilian Art, 1962-1988” (Graduate Center, CUNY, A. Indych-López)
Lathrop, Perrin, “A Sublime Art: Akinola Lasekan and Colonial Modernism in Nigeria” (Princeton, C. Okeke-Agulu)
Lu, Qi, “The Temporality of a City: Qingzhou in the Liao Empire (907-1125 CE)” (University of North Carolina at Chapel Hill, Wei-Cheng Lin and E. Douglas)
Pushaw, Bart, “The Global Invention of 'Art': Race and Visual Sovereignty in the Colonial Baltic World, 1870-1920” (University of Maryland, S. Mansbach)
Seltzer, Kylynn, “Housing Identities: Racial Anxieties in Paris, 1870-1892” (University of Pittsburgh, C. Armstrong)
Shea, Laura Elizabeth. “Photographs from the Road: Inge Morath, Sophie Calle, Sally Mann and Feminist Road Trip Vision” (UIUC, T. Weissman)
Tang, Jenny, “Geographies of Confinement in Twentieth-Century American Art” (Yale University, K. Mercer)
Winn, Laura, “The Art of Mimicry: Henry Ossawa Tanner and Hilda Rix Nicholas’s Subversive Orientalism” (University of Florida, M. Hyde)
Wolf, Olivia, “Migrating Constructions: Nationalist Debates and Mahjar Monuments in Modern Argentina, 1910-1955” (Rice University, S. Hamadeh)
Yasumura, Grace, “Invisible Men, Invisible Women: Labor, Race, and the (re)Construction of American Citizenship in New Deal Post Office Murals” (University of Maryland, S. Mansbach)


