- Chronology
 - Before 1500 BCE
 - 1500 BCE to 500 BCE
 - 500 BCE to 500 CE
 - Sixth to Tenth Century
 - Eleventh to Fourteenth Century
 - Fifteenth Century
 - Sixteenth Century
 - Seventeenth Century
 - Eighteenth Century
 - Nineteenth Century
 - Twentieth Century
 - Twenty-first Century
 - Geographic Area
 - Africa
 - Caribbean
 - Central America
 - Central and North Asia
 - East Asia
 - North America
 - Northern Europe
 - Oceania/Australia
 - South America
 - South Asia/South East Asia
 - Southern Europe and Mediterranean
 - West Asia
 - Subject, Genre, Media, Artistic Practice
 - Aesthetics
 - African American/African Diaspora
 - Ancient Egyptian/Near Eastern Art
 - Ancient Greek/Roman Art
 - Architectural History/Urbanism/Historic Preservation
 - Art Education/Pedagogy/Art Therapy
 - Art of the Ancient Americas
 - Artistic Practice/Creativity
 - Asian American/Asian Diaspora
 - Ceramics/Metals/Fiber Arts/Glass
 - Colonial and Modern Latin America
 - Comparative
 - Conceptual Art
 - Decorative Arts
 - Design History
 - Digital Media/New Media/Web-Based Media
 - Digital Scholarship/History
 - Drawings/Prints/Work on Paper/Artistc Practice
 - Fiber Arts and Textiles
 - Film/Video/Animation
 - Folk Art/Vernacular Art
 - Genders/Sexualities/Feminisms
 - Graphic/Industrial/Object Design
 - Indigenous Peoples
 - Installation/Environmental Art
 - Islamic Art
 - Latinx
 - Material Culture
 - Multimedia/Intermedia
 - Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
 - Native American/First Nations
 - Painting
 - Patronage, Art Collecting
 - Performance Art/Performance Studies/Public Practice
 - Photography
 - Politics/Economics
 - Queer/Gay Art
 - Race/Ethnicity
 - Religion/Cosmology/Spirituality
 - Sculpture
 - Sound Art
 - Survey
 - Theory/Historiography/Methodology
 - Visual Studies
 
  Digital Media/New Media/Web-Based Media
  
  
    Dissertations in Progress by Subject, 2018
  
de Lacaze Mohrman, Michaëla, “Counter-Spectacles and the Inception of Mass Media Art in Argentina: Marta Minujín's, Environments, Happenings and Performances of the 1960s” (Columbia University, A. Alberro)
Huang, Linda, “Re-imagining Post-socialist Corporeality: Technology, Body, and Nation in Post-1989 Chinese Art” (The Ohio State University, J. Andrews)
Israel, Mei-Ling, “Circles, Bees, and Threads: Traditional Craft Communities and the Digital” (Bard Graduate Center, C. Whalen)
Leeton, Brooke, “Meaning and/in Digital Media: Ryan Trecartin's Priority Innfield” (University of Georgia, I. Wallace)
Min, Kyungso, “Post-translational Belonging: The Languages of the Future in Transnational New Media Art After 1984” (University of Wisconsin-Madison, J. Casid)
Pardo, Paulina, “New Media Art Strategies and Female Identity in the Artistic Practice of Letícia Parente (Brazil, 1930-1991)” (University of Pittsburgh, J. Josten)
Stobaugh, Nathan, “New Media, New Masses: VALIE EXPORT’s Arts of Communication” (Princeton, B. Doherty)
Wasielewski, Amanda, “Between the Cracks: From Squatting to Tactical Media Art in the Netherlands, 1979-1993” (Graduate Center, CUNY, D. Joselit)


