Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar or by entering terms in the search bar above.

Recently Published Reviews

Cynthia Hahn
Berkeley: University of California Press, 2001. 455 pp.; 8 color ills.; 149 b/w ills. Cloth $60.00 (0520223209)
Cynthia Hahn’s new study of illustrated saints’ Lives offers its readers a penetrating account of a highly important category of medieval imagery, as well as a thoughtful treatment of topics of interest to scholars working in a wide range of fields within art history. On its most basic level, Portrayed on the Heart: Narrative Effect in Pictorial Lives of Saints from the Tenth through the Thirteenth Century lucidly describes how the concept invoked by its title—the belief that visual images are “portrayed on the heart” as a result of their viewers’ devout attention—underlay the importance assigned to narrative imagery within… Full Review
January 17, 2003
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Keith L. Eggener
New York: Princeton Architectural Press. 256 pp.; 25 color ills.; 75 b/w ills. Cloth $40.00 (1568982674)
Keith L. Eggener’s recent book, Luis Barragán’s Gardens of El Pedregal, published by Princeton Architectural Press, is a welcome in-depth study of the urban design, landscape, and architecture of Barragán’s 1,250 acre Gardens of El Pedregal residential subdivision, sited in the El Pedregal lava fields in the southern part of Mexico City. This well-researched book provides much-needed critical commentary on this elusive project, which is now mostly destroyed and is primarily known to us through the evocative photographs of Armando Salas Portugal. Luis Barragán is probably Mexico’s best-known architect and landscape architect of the twentieth… Full Review
January 14, 2003
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Michael D. Rabe
Chennai, India: Institute of Asian Studies, 2001. 298 pp.; 91 b/w ills. Cloth $30.00
The South Indian beach town of Mahabalipuram, once known as Mamallapuram, was the primary seaport of the Pallava kings who claimed authority over the surrounding Tamil-speaking region from the sixth to ninth centuries C.E. While the Pallavas reigned, artisans carved the site’s natural granite outcroppings into elegant sculptures and many architectural forms. The most dramatic of these, an entire cliff sculpted with dozens of colossal yet graceful figures of humans, animals, and deities, is the focus of this book. The subject of this composition has been a matter of extensive scholarly debate for over a century. Does it describe celebrations… Full Review
January 13, 2003
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Making Culture Visible: The Public Display of Photography at Fairs, Expositions, and Exhibitions in the United States, 1847–1900 addresses the changing reception of photography from its early days up to the turn of the century as a function of expanding exhibition opportunities and strategies. It is the eighth volume in the Gordon and Breach series “Documenting the Image” (now distributed by Routledge) intended to promote visual collections from around the world and to bring out the influences and implications of visual documentation and communication. Julie K. Brown’s study is a worthy addition to… Full Review
January 10, 2003
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Todd P. Olson
New Haven: Yale University Press, 2002. 316 pp.; 25 color ills.; 100 b/w ills. Cloth $65.00 (0300093381)
More than a generation ago, Anthony Blunt and Denis Mahon developed ways of thinking about Nicholas Poussin and his art that, although recently the subject of prolonged scrutiny and occasional criticism, still remain canonical. Poussin, the French-born philosopher-painter, returned to his native country as an adult only briefly, when commanded by Cardinal Richelieu to organize the renovation of the Grande Galerie of the Louvre. This great painter was by choice a lifelong resident of Rome--and all the essential sources of his art were Italian. Poussin’s stylistic development was mapped out with care by Mahon, and a great deal was said… Full Review
January 9, 2003
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Monica Blackmun Visoná, Robin Poyner, Herbert M. Cole, Michael D. Harris, Rowland Abiodun, and Suzanne Preston Blier
Upper Saddle River, N.J.: Pearson Prentice Hall in association with Harry N. Abrams, 2001. 544 pp.; 129 color ills.; 600 b/w ills. Cloth $85.00 (0810934485)
A History of Art in Africa is the product of two decades of research and writing by a team of scholars who represent Africanist art historians, archaeologists, anthropologists, and other teachers of African visual culture in the United States. Led by Monica Visonà and Robin Poynor, the team includes Herbert M. Cole and Michael D. Harris. The book is intended to be a general undergraduate text on African art and so fills a gap that has plagued Africanists for years. Until recently, they were forced by the lack of such a book to make do with occasional exhibition catalogues and… Full Review
January 8, 2003
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Joan B. Landes
Ithaca: Cornell University Press, 2001. 288 pp.; 60 b/w ills. Cloth $35.00 (080143811X)
In her latest book, Joan B. Landes tackles one of the French Revolution’s most recalcitrant iconographic paradoxes. How is it, she asks, that popular prints relied so heavily on female figures to embody notions of liberty, justice, and the French Republic at a time when the flesh-and-blood women of France were decisively drummed out of public political activity? She finds her answer in a deeply divided realm that she terms “graphic politics,” where visual and political rhetoric interacted to produce citizens of the newly imagined French republic. Visualizing the Nation: Gender, Representation, and Revolution in Eighteenth-Century France… Full Review
January 7, 2003
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Baltimore: Baltimore Museum of Art in association with Pennsylvania State University Press, 2002. 297 pp.; many color ills.; some b/w ills. Paper $35.00 (0271022353)
Baltimore Museum of Art, Baltimore, MD, October 6, 2002–January 5, 2003; Saint Louis Art Museum, St. Louis, MO, February 14–May 18, 2003
Who knew? Certainly there were documents from the sixteenth century around the publishing house of Christopher Plantin in Antwerp that mentioned payments to artists who added color to intaglio prints. At the same time in Germany, a quite respectable living was made in the print trade by individuals known as Briefmaler, or print colorists, who were included among the depicted professions in Jost Amman’s Book of Trades (Frankfurt, 1568). Not to mention all those surviving woodcuts from the earlier fifteenth-century, which were almost always religious images of Christ and the saints and were almost inevitably colored, especially with vivid… Full Review
December 31, 2002
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Antonio Natali, ed.
Milan: Silvana Editoriale, 2000. 127 pp.; 115 color ills.; 46 b/w ills. Cloth $110.00 (8882152766)
Several publications released in the past decade have reinvigorated studies of Leonardo da Vinci and, more specifically, have spurred an ongoing critical reappraisal of his early work. Thorny matters, including the nature of his apprenticeship to Andrea del Verrocchio, the range of his experience before entering into that master’s workshop, his delayed matriculation in the Florentine painters’ guild, and--perhaps the slipperiest question of all--how the young artist struggled to find his own style, have been addressed in a groundswell of articles, exhibitions, and monographic studies. Even as the exotic legends surrounding his biography are debunked and the theme of his… Full Review
December 18, 2002
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Ingrid Ehrhardt and Simon Reynolds, eds.
Munich: Prestel, 2000. 334 pp.; 130 color ills.; 154 b/w ills. Cloth (3791323385)
Schirn Kunsthalle, Frankfurt am Main, Germany, February 26-April 30, 2000; Birmingham Museums and Art Gallery, Birmingham, England, May 26-June 30, 2000; and Prins Eugens Waldemarsudde, Stockholm, Sweden, August 25-November 5, 2000
While a number of recent exhibitions have examined Symbolist art in a European context, Kingdom of the Soul: Symbolist Art in Germany 1870–1920 was the first international show to focus exclusively on German art from the turn-of-the-century period.[1] Despite the inclusive parameters in its title, most of works included date from the Wilhelmine period (1890–1914). Coorganized by the English art historian, Simon Reynolds, and Ingrid Ehrhardt, curator at Frankfurt’s Schirn Kunsthalle, Kingdom of the Soul presented almost two hundred works of painting, sculpture, and graphic arts to audiences in Germany, England, and Sweden. Since many of these nearly seventy artists… Full Review
December 13, 2002
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The “Pagan Fables” in Dutch Painting of the Golden Age: Narrative Subject Matter from Classical Mythology in the Northern Netherlands, ca. 1590–1670 is not the first publication of Eric Jan Sluijter’s groundbreaking dissertation on the representation of Ovid’s fables in Dutch painting. Many cherish their copy of the privately produced 1986 edition, with its stamp-size images and unglued pages. Even then Ivan Gaskell expressed the wish that this low-cost issue would soon be followed by a commercial edition, preferably in English. With the present volume this desideratum has been partially fulfilled. Its large format accommodates the original text and leaves… Full Review
December 11, 2002
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Francesco Caglioti
Florence: Leo S. Olschki Editore, 2000. 530 pp.; 357 b/w ills. Cloth (8822249410)
Francesco Caglioti has written a masterful pair of volumes that transform our knowledge about Donatello’s bronze sculptures, the David and the Judith and Holofernes, and consequently our understanding of quattrocento (and cinquecento) Florentine sculpture. The author supports his arguments with an impressive array of documentary discoveries, evidence culled from unpublished contemporary sources, and careful rereading of well-known writers like Giorgio Vasari. Caglioti is equally skilled in stylistic analysis and shows a prodigious command of Renaissance works of art. Despite the focus indicated by the book’s title, its range is in fact much broader, including a… Full Review
December 11, 2002
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Andrew Morrall
Burlington: Ashgate, 2002. 308 pp.; 10 color ills.; 147 b/w ills. Cloth $89.95 (1840146087)
Jörg Breu the Elder (ca. late 1470s–1537) was a leading artist working in Augsburg, Germany, which along with Albrecht Dürer’s Nuremberg became one of the primary commercial centers in the Holy Roman Empire. Breu’s career (and with it Augsburg) certainly has received new life in the past several years, with Andrew Morrall’s recent book complementing Pia Cuneo’s monograph, Art and Politics in Early Modern Germany: Jörg Breu the Elder and the Fashioning of Political Identity, ca. 1475–1536 (Leiden: Brill, 1998). For both writers, Breu’s work is rich in meaning, interacting creatively with the particular circumstances of Augsburg, while also raising… Full Review
December 9, 2002
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David Clarke
Duke University Press, 2002. 224 pp.; 35 color ills.; 100 b/w ills. Paper $27.95 (0822329204)
Despite the proliferation of critical discussion accompanying the body of work known as contemporary Chinese art, there has been little, if any, attention accorded to art produced in Hong Kong. In David Clarke’s new survey, however, he attempts to remedy this situation by introducing a wide array of artists in Hong Kong who operate under what he asserts as “hybridity.” A professor of art history at Hong Kong University and an active scholar on Hong Kong art, Clarke has followed up on his previous work, Art and Place: Essays on Art from a Hong Kong Perspective (Hong Kong: Hong Kong… Full Review
December 6, 2002
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Thomas Y. Levin, Ursula Frohne, and Peter Weibel, eds.
MIT Press, 2002. 655 pp.; 350 color ills.; 600 b/w ills. Cloth $39.95
ZKM Center for Art and Media, Karlsruhe, Germany, October 12, 2001–February 24, 2002.
Ever since Michel Foucault reintroduced Jeremy Bentham's eighteenth-century panopticon into contemporary philosophical discussion in 1975, the project has served as the prototypical example of surveillance and social control in the modern world. The panopticon is both an architectural model--a circular prison engineered to create the semblance of constant prisoner surveillance--and an example of rationalist philosophy--Bentham rejoiced in the belief that prisoners under the potentially omnipotent surveillance of prison guards would learn to self-censor their behavior, or, in more Foucauldian terms, to internalize the disciplinary gaze. As suggested by its title, CTRL [SPACE]: Rhetorics of Surveillance from Bentham to Big Brother… Full Review
November 22, 2002
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